IN THE 1960s a character named Roger Elwood appeared on the SF (science fiction) scene. He had an uncanny ability to convince publishers, including several that until then had shown little interest in the genre, that they could make money publishing original anthologies. And during the next 20 years, Elwood became the dominant anthologist of his time. Then he moved into novels, persuading romance publisher Harlequin to publish a series of original paperback SF novels, all in the same basic format and with usually excellent covers by the late great aretist Kelly Freas.

I don’t remember how I first came to submit a story to Elwood; probably he called and asked me to contribute to some pre-sold anthology. But he liked my work, and during the seventies I sold him half-a-dozen stories, each time on request for an original, usually themed, anthology. Elwood paid advances at about the same rate as the better SF magazines, with the possibility of royalty payments if the books sold well (and I did get a few small royalty checks).

According to the reviews and fan critiques of the time, these anthologies varied greatly in quality. I always read all the stories in the ones in which I appeared, but no others; just didn’t have the free time. I’m happy to say I thought all those I read were at least good, with some bordering on excellent.  For example:

My story “The Birdlover” appeared in Showcase in 1973. The collection also featured stories by Robert Silverberg, Barry Malzberg, Joe Haldeman, Carol Emshwiller, Gene Wolfe, Joanna Russ, Ray Lafferty and Ben Bova, among others. Elwood had accepted “The Birdlover” with considerable trepidation. But he had asked for it, and so published it without attempting any sort of censorship.  (The story contains no strong language or explicit sex; the controversy stemmed from the basic theme, dominance of a hapless human by an intelligent avian species using sex as a control mechanism.) “The Birdlover” became my most noticed, talked-about (perhaps ‘notorious’ would serve here) story to that time.

Not that long after Showcase saw print, I was a guest at a science fiction convention in Tennessee. At the first dinner writer Andy Offutt, serving as MC, introduced the ‘notables’ present. When he got to me Andy said, “And here’s my . . . my friend from Florida, Joe Green!”  But I had noticed the hesitation, so as soon as I could I cornered Andy and asked him what he had omitted. Andy replied, “I was going to say, ‘And here’s my chicken-fuckin’ friend from Florida!’ But I lost my nerve at the last minute and couldn’t say it.”

Another of my stories featuring human/alien sex, “Encounter With A Carnivore”, appeared in Epoch in 1975, a massive anthology Elwood co-edited with Robert Silverberg.  I learned later in conversation with Bob Silverberg that he, not Elwood, had selected my story; had, in fact, chosen most if not all the contents. This one included stories by, among others, Lafferty, Malzberg, Wilhelm, R.R. Martin, LeGuin, Pohl, Niven, Aldiss, Simak, Benford and Russ, as well as a short novel by Vance. In my not too humble opinion, Epoch remains one of the best original anthologies ever published.

The ‘Elwood Period’ also saw the demise of some fine original series, Silverberg’s New Dimensions and Damon Knight’s Orbit among them. Some fans and critics laid much of the blame on Elwood, for overselling the market and causing losses on his and other anthologies at many publishing houses.

Elwood also had some personality quirks and apparently sincere beliefs, including devout Christianity, that he let creep into his work. While I never had any problems with attempted censorship, other writers did, and reported same. When the serious attacks on Elwood began, accusing him of being a prude, a censor, a religious bigot, etc., he defended himself thusly: “Whaddaya mean I’m a prude and a bigot! I published Joe Green’s ‘The Birdlover!'”

Image Credit: Hühner (Geflügel-Album, Jean Bungartz, 1885)